My works are encounters. Subtle and often barely visible, they linger on handrails, hallway walls, windowpanes, and in exhibition spaces — only coming to life when activated by visitors. Photography serves as my starting point, which I then translate into drawings, texts, imprints, imagined sounds, and tape works. The translation challenges the boundaries of categorization, medium and ownership.
Defining ownership through one’s imagination feels liberating to me: if I can imagine something, it exists, and thus, I own it. I understand my current works in the same ephemeral and immaterial way: Fleeting, fictional scenarios emerge that change, overwrite, and become fluid through the choice of materials and the engagement of visitors.
Drawing from the idea of the immaterial and my own performative, choreographic interest, non-linear narratives unfold in space—always accompanied by essential elements like humor, joy, and the poetic pragmatism of everyday life.