My works
are encounters. Subtle
and often barely visible, they linger on handrails, hallway walls, windowpanes,
and in exhibition spaces — only coming to life when activated by visitors. Photography
serves as my starting point, which I then translate into drawings, texts,
imprints, imagined sounds, and tape works. The translation challenges the boundaries
of categorization, medium and ownership. Defining
ownership through one’s imagination feels liberating to me: if I can imagine
something, it exists, and thus, I own it. I understand my current works in the
same
ephemeral and immaterial
way. Fleeting, fictional scenarios emerge that change, overwrite, and
become fluid through the choice of materials and the engagement of visitors.
Drawing
from the idea of the immaterial and my own performative, choreographic
interest, non-linear narratives unfold in space — always accompanied by essential
elements like humor, joy, and the poetic pragmatism of everyday life.